This is a story of
four untouchable boys who eloped with high-caste girls. Using only interviews
and novoice over, it tells of love creating a conflict between parents and
children, religion and human rights, of youth who reject their culture to
assert the freedom to love andthe right to marry a partner of their choice. It
also tells ofHindu extremists who view these lovers as a threat to the system,
for an increase in inter-caste marriage will blur caste boundaries and create
an equal society. Therefore conservatives punish the lovers with severe
violence to discourage future elopements.
Twenty-five-year-old Manoj leads the
narration. His elopement with Parbati, twenty-two, in 2003 led to ethnic
cleansing in his village. Hundreds of high-caste men attacked the around eighty
untouchables, in a bid to drive them out and “purify” the village, putting the
lovers under extreme pressure to separate. But they decided to stay together,
against all odds. Now, they are relatively well-off peasant farmers with two
sons.
Similarly, when Khadga,
twenty-three,and Jaisara, twenty-one, eloped in 2008, violence between high-caste and untouchables
erupted in the village. The lovers hid in a forest for several days to escape
the wrath of Jaisara’s parents, who wanted to see them dead. They lost their
way in the thick jungle and nearly
starved to death. But they survived, and now have one son. They are landless
and homeless refugees in their own country, struggling to earn a living by
cultivating other people’s farms.
In a tale of police brutality,
twenty-two-year-old Shyam, a milk vendor, eloped with twenty-one-year-old Saraswoti
in 2010. Her parents bribed the police, who raided the village, tortured
Shyam’s father, injured dozens of untouchables, and took Saraswoti away. But
three months later, Saraswoti escaped from her family where she was kept like a
prisoner and returned to her love. Thereafter, her parents conceded defeat and
disowned her.
The fourth story is of a sensational
court case. Kishor, twenty-one, a university student who ran away with
seventeen-year-old Ranjana in 2010 was charged with kidnapping and seducing a
minor. The judge controversially dismissed the case against him, which was a
victory for all Nepali youth who believe in love.
These stories evolve over three major
phases, modeled on the classical three-act structure. The first part introduces
us to the subject matter and the characters. It is an ethnographic account of
how they met, how they dated, and how their love blossomed in secrecy amidst
the undercurrents of caste discrimination in their villages.
Being young and innocent, they did not
think there was a very big problem in their communities. It seems a just
society, with the evil of caste fading into the past. The high castes allow
untouchables to live next door, to share their water sources, markets, temples,
and schools. Only after children from the two polar families fall in love does
it surface that high castes are not ready to share blood with untouchables.
Unable to bear the thought of their
love coming to an end, the lovers sneak out of home in the dead of night and
secretly get married. They flee to unknown futures, with barely enough money to
last them a few months past their honeymoon.
This
leads us to the second part, which recounts the consequences of the elopements.
To the untouchables, marrying a high caste is a matter of honor, a way to
uplift their social status and end discrimination. They, therefore, do
everything to support the lovers. But the high castes feel polluted and use
severe violence to restore their honor. Being numerically stronger, they attack
the untouchables to drive them out of the village, or force them to pay very
heavy fines. With influence in the government, they use the police to find the
runaways. The police falsely claim the girl is underage, or frame the boy for
kidnap, and randomly arrest and torture the boy’s relatives until someone
reveals the whereabouts of the runaways. Therefore, to ensure success, the
lovers keep their hiding (honeymoon) place a total secret.
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